Pick A Flick

Pick A Flick

Watching a favourite animation movie is much like going back to a favourite book – it’s comforting in its familiarity and there are new perspectives to discover in that familiarity. But if the umpteenth viewing of Madagascar sets your teeth on edge, it’s time to overhaul the DVD collection. Here’s a list of non-animated movies – some known and some lesser known – to liven up boring weekend afternoons. Although the entire family will enjoy these movies, there are some movies in the list below, that will appeal more to girls than to boys and some, more to teens than to tots. But do check on the internet for certification and age-appropriateness for these movies.

COMEDIES

In Unaccompanied Minors (2006), siblings Spencer and Katherine are asked to wait in the Unaccompanied Minors room when the airport they are flying out of gets snowed on Christmas Eve. The children in this room are on a rampage, wrecking and messing up the place. Spencer enlists some kids to help him make Katherine’s Christmas special. The children pull out all the stops to make the most of the snowed-in Christmas, even as they give the surly Mr. Porter the slip many a time.

Set in Africa, The Gods Must be Crazy (1980), is about the adventurous journey undertaken by a bushman (N!xau) to the end of the earth, to dispose an object that is the cause of much unhappiness and unrest in his tribe – an empty bottle of Coca Cola!

FANTASY/ADVENTURE

Nim’s Island (2008) is about eleven-year-old Nim (Abigail Breslin), who lives on a secret island with her marine biologist father, Jack (Gerard Butler) and her animal friends. Nim replies to an email on her father’s behalf while he’s away. It turns out that her favourite author, Alex Rover wants some help in fleshing out details for the next book in the adventure series. When Nim’s father goes missing, she tells Alex Rover that she is scared. Little does she know that the author of the swashbuckling adventures is actually a woman (Jodie Foster) who is too scared to even step out of her own house! Based on the book by Wendy Orr.

In Alex Rider: Operation Stormbreaker (2006), fourteen year old Alex (Alex Pettyfer) discovers that his uncle Ian Rider (Ewan McGregor), who died under mysterious circumstances, was actually a spy. Alan Blunt (Bill Nighy) of the MI6 enlists him to undergo Special Forces training to become a spy himself. Rider’s first operation is to find out the motive behind Darius Sayle’s (Mickey Rourke) generosity in creating and donating Stormbreaker personal computers for schools. Lots of nifty gadgets, cool chases and the big question – is Ian Rider really dead? Based on the series by Anthony Horowitz.

CLASSICS

If your children have the patience to watch an old-fashioned musical, there’s nothing quite likeThe Sound of Music (1965) to have them romping through the house singing Do Re Mi over and over again! Maria (Julie Andrews), who wants to become a nun, is sent as a governess to mind the seven Von Trapp children. Maria ushers in some much needed colour and music into the household, ultimately discovering that a warm heart resides within the stern Captain Von Trapp (Christopher Plummer). Lots of music set in the wonderful landscapes of Austria.

ANIMALS/WILDLIFE

Long before March of the Penguins, there was the nature documentary, ‘Animals Are Beautiful People’ (1974). Shot entirely in Southern Africa, it’s a crash-course in geography featuring the many species that inhabit the deserts, river and delta of the region. The excellent background score is a perfect fit for the antics of some of the most adorable creatures and the commentary puts the habits of wild species in context of our own urban lives.

WOLD CINEMA

Viva Cuba (2005) is a Spanish movie set in Cuba, about two friends – a boy named Jorgito (Jorge Milo) and a girl named Malu (Malu Tarrau Broche). They come from different social backgrounds and their mothers hate each other. When Malu’s mother wants to leave the country, the only person with any power to stop it is Malu’s father. The children set out in search of Malu’s father, to dissuade him from signing forms that would take Malu and her mother away. Along the journey, the children discover the true meaning of friendship.

FOR PARENTS

Based on Simon Carr’s true story, The Boys are Back (2009) is about sports journalist Joe’s (Clive Owen) whose life is turned upside down by the death of his wife. He now has to bring up their son, Artie, all by himself. When, Joe’s son, Harry, from a previous marriage arrives from the UK, Joe tells him that he runs ‘a loose ship’ with as few rules as possible in the house. Harry and Artie forge a close bond even as Joe learns to juggle the demands of work and home. This is a movie that steers clear of cliches and raises the all-important question “How much discipline is too much? How much is too little?”

Parenthood(1989) has an ensemble cast that portrays parents with different challenges in child-rearing. Gil (Steve Martin), a sales executive, is torn between work and home. Helen (Dianne Wiest) is a single parent who gets more than she can handle when her teenage daughter gets married and becomes pregnant. Nathan (Rick Moranis) is obsessive about his daughter’s IQ. Frank (Jason Robards) wants to help his grown-up son Larry (Tom Hulce) deal with a gambling problem, but finds himself bringing up a grandson! Funny and heart-warming.

An edited version appeared the September 2011 edition of Parent Circle Magazine.
The Rising : The Ballad of Mangal Pandey (Hindi)

The Rising : The Ballad of Mangal Pandey (Hindi)

Director: Ketan Mehta 
The movie dramatises the incidents surrounding the Sepoy Mutiny of 1857, through the eyes of Captain William Gordon (Toby Stephens).
Mangal Pandey is a sepoy, a native soldier in the service of the East India Company, stationed in Barrackpore. One day, Pandey learns that the cartridges that the sepoys will chew off while loading the new Enfield rifles, are rumoured to be coated with animal fat. Ingestion of cow fat is considered sacrilege among Hindu Brahmins and coming in contact with pig fat is desecration according to the Muslim faith.

Captain Gordon, with whom Pandey shares a strong bond of friendship, assures the sepoys that the cartridges are free of animal fat. Pandey believes him and uses the rifle. When the truth emerges, Pandey is distraught. On the one hand, he has been defiled. On the other, he presumes that Gordon has deceived the sepoys. Their friendship is tested when Pandey instigates the other sepoys to rise in revolt against the Company. 

The sepoys across different barracks plot a simultaneous revolt to overpower the few British soldiers stationed on Indian soil. The Company foils these plans by bringing in back-up in the form of the Rangoon regiment. Pandey leads the revolt at Barrackpore anyway. The sepoys are outnumbered. Pandey is captured. 

Captain Gordon regards himself inadvertently responsible for the situation. But Pandey assures him that the Indian freedom movement rapidly gaining in strength is independent of any sentiments about the cartridges. Pandey is executed in public and the movement spreads to other parts of India, ultimately leading to India’s Independence 90 years after the incident.

Some creative license has been used, including the characters of Captain Gordon, the widow Jwala (Amisha Patel) rescued by Gordon and the prostitute Heera (Rani Mukherjee) whom Pandey falls in love with.

An edited version of this article appeared in the August 2011 Issue of Culturama
Image courtesy Maya Movies Private Limited.

1947 Earth

1947 Earth

Director: Deepa Mehta
Language: Hindi
The second film in Deepa Mehta’s Elements trilogy, 1947 (the other two being Fire and Water), Earth is based on Bapsi Sidhwa’s novel, Ice Candy Man. The movie vividly captures the bestial violence that erupted during the Partition as witnessed by an eight year old polio-afflicted Parsi girl who lives in Lahore, Pakistan.
Lenny (Maia Sethna) is privy to the budding romance between her Ayah, Shanta (Nandita Das) and a masseur, Hasan (Rahul Khanna). Lenny is also aware that Dil Nawaz (Aamir Khan), the smooth-talking Ice Candy Man, has a growing obsession with Shanta. Lenny and the Ice Candy Man become unwilling voyeurs to this unfolding love story.
As the dark clouds of the Partition gather, the animal in each man, like the lion that Lenny fears, is unleashed. Dil Nawaz proposes marriage to Shanta and says in a sombre foreshadowing, that it is only she who can keep his inner animal in check.
In a scene that best captures the horrific violence during the Partition, Dil Nawaz awaits the arrival of a train from Gurdaspur carrying his sisters. The train finally arrives twelve hours later laden with mutilated bodies of passengers.
Dil Nawaz eavesdrops on a conversation between Shanta and Hasan, where the masseur shares his plans to flee to Amritsar in India. The next day, Hasan’s body is found in a gunny sack. Lenny is deceived by Dil Nawaz into revealing Shanta’s whereabouts and along with a group of marauders, he abducts Shanta. Unlike the novel, the movie offers no explanation about Shanta’s fate and it is presumed Lenny lives with the guilt of having sealed the fate of her Ayah.

The end titles of the movie capture the immensity of the Partition, that divided India and Pakistan – “Over one million people were killed in India’s division. Seven million Muslims and five million Hindus and Sikhs were uprooted in the largest and most terrible exchange of population in history.” 

An edited version appeared in Culturama’s July 2011 Issue. 
Pic from the Hamilton Mehta Production website. 

Gabhricha Paus (Marathi)

Gabhricha Paus (Marathi)

Language – Marathi                                                                 
Director – Satish Manwar
Gabhricha Paus contextualizes farmer suicides in Maharashtra even as the movie remains true to the black comedy genre. The vagaries of nature are portrayed to be only one among many aspects leading to failed crops and farmer deaths.
The film opens with yet another farmer’s suicide due to mounting debts. When the farmer’s wife regrets that she didn’t heed her husband’s moodiness, Alka (Sonali Kulkarni) suspects that her husband, Kisna (Girish Kulkarni) too is contemplating suicide. She enlists her son, Dinu (Aman Attar) and her mother-in-law (Jyoti Subash) to keep an eye on Kisna.
There is a pall of fatalism that hangs over Kisna, even as he dismisses the morbid insights of a fellow farmer, Patil. Kisna is confident that although it hadn’t rained in two years, with the benevolence of the rain gods and a little financial help, he can sow a crop whose harvest will erase his debts.
The dead farmer’s wife laments one day that she hadn’t made her husband’s favourite sweet often enough when he was still alive. Alka takes to making sweets and this expense in difficult times, along with Dinu’s constant scrutiny, rankles Kisna.
Kisna pawns his wife’s jewellery to buy seeds, and sows them, only to find that the monsoon is delayed. Under the vulturish gaze of Patil, he contemplates death. Alka persuades him to start over. This time, when the rain arrives, it submerges the seeds. Only a small crop survives and this too, is seized to offset Kisna’s debts.

When Kisna takes a bank loan to install a motor to pump water to his field, he thinks he has finally risen above his circumstance, only to encounter new challenges. In an ironic twist, Alka’s fears come true in a rather unexpected way.  

An edited version appeared in Culturama’s June 2011 Issue. 

Pushpak (Silent)

Pushpak (Silent)

Language – Silent
Director – Singeetham Srinivasa Rao
Pushpak is a black comedy, that deftly uses background music and symbols to convey meaning in the absence of dialogue. 
In the Ramayana, the Pushpak was a flying machine with the ability to conjure up on offer, all the luxuries of the world. The Pushpak Hotel and its winged halo logo featured in the movie are an allegory for the lavish life on board the mythological flying machine. At another level, the movie explores the fleeting, illusory world of money and the divide between the haves and the have-nots.
An unemployed youth (Kamal Haasan) comes across a millionnaire (Sameer Khakkar) lying in an inebriated state, with a room key of the luxurious Hotel Pushpak in his pocket. The youth decides to steal the millionnaire’s identity, leaving him gagged in his own humble room. He moves into the lavish suite of the Hotel Pushpak, and uses the millionnaire’s wealth to groom himself in the fashion of the wealthy.
The youth falls in love with a magician’s daughter staying at the hotel. The young lovers spend time together and the youth senses with some relief, that the magician’s daughter (Amala) does not hanker after his presumed wealth. Meanwhile, a hitman (Tinu Anand) fails in his attempts to kill the youth. The youth realises that the real target is the millionnaire and, decides to investigate. Disillusioned with the material world that gave him wings, he sets things right, finally returning to his own humble life.
Pushpak won the Golden Lotus among the National Awards for the Best Popular Film Providing Wholesome Entertainment.
An edited version appeared in Culturama’s May 2011 Issue.
Natarang (Marathi)

Natarang (Marathi)

Natarang is set in the world of tamasha , a popular style of theatre in Maharashtra with large doses of ribaldry, suggestive songs and dances. Guna Kagalkar (Atul Kulkarni) is a patron of the form, although he is barely making ends meet to support his family. When he decides to start his own tamasha group, Guna begins rehearsing his dream role of a king.
Guna gradually realises that the group needs a woman performer. Nayana (Sonalee Kulkarni) is willing to perform with the group provided they find her a nachya. A nachya plays the effete transgender sidekick to the leading lady in the tamasha and brings in the laughs. With nobody else willing, Guna reluctantly agrees to play the nachya. In a poignant scene, Guna sheds tears of helplessness in the pouring rain as he wears the king’s garb for the last time. His training begins in earnest and the man who was built like a bull becomes a slender waif.
Once the group is finally off the ground and begins to tour villages, Guna faces fresh challenges. As he plays a nachya, his perceived indeterminate sexual orientation is cause for much mean humour and sexual advances.
Guna then decides to use tamasha as a medium of change. He picks the role of the legendary warrior, Arjuna who took on the form of a transgender Brihannala to avoid being recognised during exile. But Guna is raped, ironically when he is dressed to play the virile Arjuna.
When all his ties, including familial unravel, Guna realises that he now has nothing to lose, and begins anew pushing the boundaries of the art form.
Natarang won the National Award for Best Marathi film in the year 2010.
An edited version appeared in Culturama’s April 2011 edition.

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